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Why Customers Become Our Regulars. For the seasoned CEP 1. Inevitably, the functionality and restructuring have resulted in some significant changes to the user interface, which may well confuse those used to the previous version.
One of the first that I spotted was the appearance of a large drop-down menu list when right-clicking in the Edit window. Previously, a right-click would extend a selected area all the way up to the current mouse location, a very handy facility which made 'fast and dirty' editing wonderfully quick and easy. However, I later discovered that the right-click extension facility is still available if the Ctrl key is held at the same time as right-clicking.
Even better, Syntrillium have provided a user option under the Preferences menu to revert to the original right-click mode, after which the menu list can be made to appear with Ctrl-right-click instead! There are far too many operational changes to list each one, but another function I discovered by accident is a new right-click menu in the multitrack window. Compared with previous versions, the new-look CEP 2. Windows can be moved as 'floating' windows or docked to other windows, so the screen layout can be tailored to suit individual preferences.
The last used window arrangement is recalled when the program is started, but there is a facility to reset everything to the factory default if required. When the first computer audio editors appeared, including early versions of SADiE, Sonic Solutions and Pro Tools to name but three, I was one of many who queried the usefulness of on-screen mixers that could only be controlled by the single 'finger' of a mouse.
Most products quickly acquired 'automation' facilities so that a complex mix could be built up one channel at a time, but this was a tedious workaround in most situations. A better solution was to implement interfaces and design special hardware control surfaces to enable physical multi-fader mixing — a far more intuitive and rewarding solution, although often rather expensive.
Syntrillium have adopted a similar approach in CEP 2. In addition to the automation envelopes already available, CEP now adheres to Microsoft's 'Human Interface Device' protocol, allowing communication with a growing number of external hardware controllers.
This is a relatively simple but efficient transport and monitor control unit that hooks up via USB see ' Red Rover ' box. Cool Edit Pro v2's multitrack window now offers extensive sample creation and looping facilities.
The sample looping facility of CEP is an exciting and creative new function which has uses far beyond the immediately obvious. The comprehensive loop creation and management tools included in the multitrack window come complete with some clever functionality to match tempos and keys between samples and loops. The loops used carry the CEL suffix, but are actually stored in MP3 Pro format, a new and very efficient but high-fidelity data reduction codec.
A few samples are shipped with the product, but not enough to really get your teeth into. However, a quick surf over to a dedicated web site, loopology. Whatever your preferred style, there is probably something here to suit, played by real musicians on real instruments!
Loops can also be searched by instrument piano, synth, guitar, drums, and so forth and thanks to the data reduction, even lengthy loops can be downloaded pretty quickly. After 'unpacking' they can then be dropped straight into a song. The Loopology loops are all free for use in either commercial or non-commercial projects, and the method of manipulation — as well as the loops themselves — is so good that knocking up a decent backing track, creating a music bed or sting, or just experimenting with song structure is remarkably fast and easy.
Some of the most significant new additions to CEP 2. The looping facilities see box above are very impressive and remarkably easy to use, with an extensive and completely free loop library available via the Internet. Should you be interested in writing music for picture or adding a soundtrack to your home movies, CEP will also accommodate AVI video files and run them locked to the multitrack timeline, with the picture being displayed in yet another floating window. Oh, and the annoying bug that prevented CEP from responding to code beyond a certain time has also been fixed!
Various other relatively minor yet useful upgrades and additions have been incorporated in CEP 2. For example there is a level normalising facility which operates on a selected group of audio clips in the multitrack window, and new real-time envelope manipulation facilities allow programme-related dynamic effects to be created, either from presets or manually.
Many professional and semi-pro engineers dismissed the early versions of Cool Edit Pro out of hand. However, CEP proved itself in action to be a remarkably capable, reliable and intuitive tool, which was extremely cost-effective — so much so that numerous branches of BBC Radio have come to rely on it completely in recent years.
Nevertheless, version 1. Indeed, pretty much every aspect of the original has been improved or extended, and not just in terms of the user interface: it seems that most of the signal processing algorithms have been overhauled and updated too. Cool Edit Pro 2. It compares well with any of the upmarket alternatives, particularly given the price, and will appeal to novices and technophiles alike, providing simplicity of operation or sophistication of signal analysis and processing as required.
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